Russian icons

With two decades of experience in transporting Russian art and reliable agents in Moscow and St. Petersburg, our company is your best chance to get the artwork quickly and in perfect condition. Besides, did you know that we also ship antiques, including unique Russian icons and artifacts? Moreover, we collaborate with the Ministry of Culture and ship antiques for some of the most reputable Russian museums. Plus, we help them obtain all the necessary permits to export truly valuable items. It is also impossible not to mention that authentic antique Russian icons can be found not only in Russia.

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Such images functioned as powerful relics as well as icons, and their images were naturally seen as especially authoritative as to the true appearance of the subject: Like icons believed to be painted directly from the live subject, they therefore acted as important references for other images in the tradition. Beside the developed legend of the mandylion or Image of Edessa , was the tale of the Veil of Veronica , whose very name signifies “true icon” or “true image”, the fear of a “false image” remaining strong.

St Peter encaustic on panel , c. Although there are earlier records of their use, no panel icons earlier than the few from the 6th century preserved at the Greek Orthodox Saint Catherine’s Monastery in Egypt survive, [25] as the other examples in Rome have all been drastically over-painted. The surviving evidence for the earliest depictions of Christ, Mary and saints therefore comes from wall-paintings, mosaics and some carvings.

As an Orthodox practitioner, the Russian Store has been a blessing in my life. The icons offered have been selected with great care, and they can be cleaned and restored if .

Holy Image, Sacred Presence: Examples include a mandylion miraculous image of the face of Jesus , proskynetaria and iconostasis panels from Orthodox churches, and small devotional icons for private use. The exhibition is on view March 12—June 5, Following the Russian Revolution of , many monasteries and churches were closed and the best icons were collected in state museums. Those dating from the eleventh to seventeenth centuries were prized as representing traditional Russian culture.

It was these icons that the Soviets either relegated to museums of religion or, beginning in the s, sold to foreign tourists and diplomats in government-run shops. Venerable Paintings and their Makers. Gallery hours will be extended to 7: Reception for the exhibition Holy Image, Sacred Presence: Russian Icons, — with refreshments and a cash bar.

Icons Masterpieces Of Russian Art

Russian Lacquer Boxes are made from an art form known as Papier-Mache, a type of cardboard that is made from layers of glued paper boiled in linseed oil and then carefully dried and primed. Please visit our Fedoskino and Palekh pages to see our complete collection of beautiful Russian Lacquer Boxes. These boxes are perhaps the most cherished and collected pieces of art from the 18th and 19th centuries, just as they are cherished and collected today. And, if you’re a newcomer to this extraordinary art form, you’ll be amazed when you learn that every line painted onto every lacquer box, every brush stroke, and every minute detail, is painstakingly done by hand by highly skilled artisans who have worked a lifetime to master this skill.

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The accounts of her last days are contained in non-biblical narratives. This is why the depictions of the Dormition of the Mother of God in Byzantine, as well as in the Balkans and Medieval Russia, were based on popular apocryphal stories such as The Account of St. John of Damascus all of them dating back to the 8th c.

The first credible evidence of the presence of the Dormition feast in the liturgical calendar dates back to the late 6th century. It is assumed that the feast was first introduced under the Byzantine Emperor Mauricius — ; before that it had been considered to be a local rather than a universal festival. The existing narratives of the Dormition of the Mother of God vary in length and details. The general composition of the Dormition is traditional for Byzantine and Medieval Russian art.

The Mother of God is depicted in the center, lying on the couch and flanked by the sweeping apostles; behind the couch stands the Savior with the soul of the Holy Virgin Mary depicted as a swaddled baby. The scenes of the Dormition often portrayed three of four bishops standing alongside the apostles — St. Dionysius the Areopagite, St. According to tradition, the Dormition was shown as an event taking place in the house of John the Theologian in Jerusalem — in the Zion Chamber where the Holy Spirit had earlier descended on the Apostles.

The scene is usually surrounded by architectural constructions. The image of the Mother of God lying on the couch is often represented with one or two burning candles symbolizing a prayer to God.

Russian Bronze Cross

Although initially the Eastern and Western Christians shared the same faith, the two traditions began to divide after the seventh Ecumenical Council in CE and is commonly believed to have finally split over the conflict with Rome in the so called Great Schism in In particular this happened over the papal claim to supreme authority and the doctrine of the Holy Spirit. The break became final with the failure of the Council of Florence in the fifteenth century. However, in the minds of most Orthodox, a decisive moment was the sack of Constantinople in during the Western Christian Fourth Crusade.

In order to understand the language of the icon one needs to find in oneself the desire to meet with this reality, to ‘enter’ into it, one needs to learn to ‘read’ the icon. It is not accidental that in Russian the creation of an icon signifies not pisat’ kraskami ‘to write with colours’ (to paint) but pisat’ perom ‘to write with a pen’ (to write). The art of iconography is not ‘icon painting’, but ‘icon writing’.

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In Russian churches, the nave is typically separated from the sanctuary by an iconostasis (Russian ikonostas, иконостас), or icon-screen, a wall of icons with double doors in the centre. Russians sometimes speak of an icon as having been “written”, because in the Russian language (like Greek, but unlike English) the same word (pisat’, писать in Russian) means both to paint and to write.

A Gem to Visit I have wanted to visit here for many years and finally did. I was very impressed. An icon is a picture of a holy person. This is an excellent place for any Christian to visit because it is all about Christ and early Christianity. Non- Christians will enjoy it to if they enjoy art, theology, Russian art, and history.

Many of the pieces date back to the ‘s. All are from Russia. This is part of a private collection turned into a museum. Many of the pieces are similar but very different which made it all the more to enjoy.

About Russian Icons

The Greek term eikon Russian, obraz denotes “semblance,” indicating that the icon does not incarnate but only represents sacred objects. As such it serves to facilitate spiritual communion with the sacred; the distinctive two-dimensional flatness symbolizes an immateriality and hence proximity to the otherworldly.

In rare cases this mediating role reaches miraculous proportions when the faithful believe that a “miracle-working” chudotvornaya icon has interceded to save them from harm, such as the depredations of war and disease. The evolution of icons in Russia paralleled the development of Eastern Orthodoxy itself.

The Russian Store is your trusted source for genuine antique Russian Icons and Catholic Relics. We sell, buy, appraise, and advise on antique objects of Christian devotion. Over unique items available for purchase in our online store.

World Class Collection Dr. Anthony G Ziagos, Sr. Just a few miles down the road from our circulation area in Clinton Massachusetts, success has been defined as the ability to share one’s passion in life. Gordon Lankton and his company Nypro Inc. However, here the measure of success for this extraordinary man is the ability to share a lifetime of collecting and dedication with the public.

In a renovated mill property, operating as a state of the art “Green” building, The Museum of Russian Icons offers a look at history. On display is six hundred years of faith and devotion to Russian Orthodox Iconography. Both works of art in their own right, and a symbol of the Christianity, Icons can be found in every Orthodox Church and home around the world. They are venerated by the faithful and help to remind us of the sacrifices made by the Saints, Martyrs and Profits of the Church.

Icons are the manifestation of this faith and include pictures of Christ, the Mother of God, saints, religious and historical events. They allow Orthodox Christians to repent, renew their faith, and prey they have the strength to be good Christians. The Museum of Russian Icons was founded in as a non-profit educational museum by Gordon Lankton, an avid collector of Russian icons who also is chairman of Nypro Inc. Lankton owns over Russian icons, the largest such collection in North America and one of the largest outside of Russia, most of which will be on display to the public for the first time.

His collection spans six centuries, and includes important historical icons dating from the earliest periods of icon painting up to the present.

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The preeminent Russian icon painter was Andrei Rublev — early 15th century , who was “glorified” officially recognized as a saint by the Moscow Patriarchate in His most famous work is The Old Testament Trinity. Russians often commissioned icons for private use, adding figures of specific saints for whom they or members of their family were named gathered around the icon’s central figure.

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One fresco of the subject, in the Roman catacomb of Priscilla, is thought to be second century. The imagery is based partly on Luke 1: The latter was the source throughout the Middle Ages for much of the imagery associated with Mary, both in the East and West. Today it is scarcely known other than to scholars. According to this apocryphal tradition, Mary was one of seven virgins set to spin wool. For each a different colour was chosen by lot and that of royal purple fell to Mary.

It is said that this was the skein of wool that would cover the Holy of Holies in the Temple and which would be “rent in twain” at the Crucifixion. Gabriel’s actions, though painted with the proper restraint typical of icons, are specific: The iconographic tradition denotes three separate events comprising Mary’s reaction to the news.

Icons: Masterpieces Of Russian Art

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By COGwriter Many who profess Christianity attend church services that have a variety of supposedly Christian idols and icons in the buildings. Many who profess Christ tend to wear or even revere crosses as a symbol for Christians. Does any of this come from the Bible? What did the early Church teach about these type of things? What about the second commandment? Is the prohibition against idolatry actually the ‘second’ of the ten commandments?

This article will provide some Old Testament and New Testament quotes related to idols and icons. It will also show writings from early mainly 2nd century church writers which will help demonstrate what the early church really understood about this. Additionally, it will provide some information on when idols and icons were considered acceptable for the majority who profess Christ.

Rare Russian icons on display in Moscow showed the Israelites & Christ as people of color